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Chalmers, Hero. “Dismantling the Myth of ‘Mad Madge’: The Cultural Context of Margaret Cavendish’s Authorial Self-Presentation.” Women’s Writing 4, no. 3 (1997): 323–40.

Classen, Constance. The Color of Angels: Cosmology, Gender, and the Aesthetic Imagination. London: Routledge, 1998.

Clucas, Stephen, ed. A Princely Brave Woman: Essays on Margaret Cavendish, Duchess of Newcastle. Aldershot: Ashgate, 2003.

Corporaal, Marguérite. “‘My Mind a Busy Fool’: Margaret Cavendish’s Reflections on Science.” In-between: Essays and Studies in Literary Criticism 9, no. 1–2 (2000): 147–60.

—. “‘Thy Speech Eloquent, Thy Wit Quick, Thy Expressions Easy’: Rhetoric and Gender in Plays by English Renaissance Women.” Renaissance Forum: An Electronic Journal of Early Modern Literary and Historical Studies 6, no. 2 (2003): 1.1–45.

—. “An Empowering Wit and an ‘Unnatural’ Tragedy: Margaret Cavendish’s Representation of the Tragic Female Voice.” Early Modern Literary Studies Special Issue 14 (2004): 12.1–26.

Cottegnies, Line. “Miroir du Théâtre: Mise en Abyme et Maniérisme dans The Convent of Pleasure de Margaret Cavendish (1668).”Etudes Epistémè 9 (2006): 269–83.

Crawford, Julie. “‘Pleaders, Atturneys, Petitioners and the Like’: Margaret Cavendish and the Dramatic Petition.” In Women Players in England, 1500–1650: Beyond the All-Male Stage, edited by Pamela Allen Brown and Peter Parolin, 241–60. Aldershot: Ashgate, 2005.

—. “Convents and Pleasures: Margaret Cavendish and the Drama of Property.” Renaissance Drama 32 (2003): 177–223.

Cuder Domínguez, Pilar. “Re-Crafting the Heroic, Constructing a Female Hero: Margaret Cavendish and Aphra Behn.” SEDERI: Yearbook of the Spanish and Portuguese Society for English Renaissance Studies 17 (2007): 28–46.

—. Stuart Women Playwrights, 1613–1713. Burlington: Ashgate, 2011.

D’Monté, Rebecca Ann. “Re-presenting the Female Body in Seventeenth-Century Drama: The Plays of Margaret Cavendish, Duchess of Newcastle, and Aphra Behn.” PhD diss., University of London, 2000.

—. “‘Making a Spectacle’: Margaret Cavendish and the Staging of the Self.” In A Princely Brave Woman: Essays on Margaret Cavendish, Duchess of Newcastle, edited by Stephen Clucas, 109–26. Aldershot: Ashgate, 2003.

Dodds, Lara A. “Style Talk: Poetry, Rhetoric, and Natural Philosophy in Seventeenth-Century England.” PhD diss., Brown University, 2004.

Donaldson, Elizabeth Thelma. “New Castles in the Air: Atomism and the Imagination in the Poetry of Margaret Cavendish.” Honors essay, University of North Carolina at Chapel Hill, 2002.

Eger, Elizabeth. “Paper Trails and Eloquent Objects: Bluestocking Friendship and Material Culture.” Parergon: Journal of the Australian and New Zealand Association for Medieval and Early Modern Studies 26, no 2 (2009): 109–38.

Fitzmaurice, James. “‘When an Old Ballad Is Plainly Sung’: Musical Lyrics in the Plays of Margaret and William Cavendish.” In Oral Traditions and Gender in Early Modern Literary Texts, edited by Mary Ellen Lamb and Karen Bamford, 153–67. Aldershot: Ashgate, 2008.

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—. “Margaret Cavendish in Antwerp: The Actual and the Imaginary.” In-between: Essays and Studies in Literary Criticism 9, no. 1–2 (2000): 29–39.

—. “Margaret Cavendish on Her Own Writing: Evidence from Revision and Handmade Correction.” Papers of the Bibliographical Society of America 85, no. 3 (1991): 297–308.

—. “The Intellectual and Literary Courtship of Margaret Cavendish.” Early Modern Literary Studies Special Issue 14 (2004): 7.1–16.

Fleming, Juliet. “Margaret Cavendish, Shakespeare Critic.” In A Feminist Companion to Shakespeare, edited by Dympna Callaghan, 21–41. Malden: Blackwell Publishers, 2000.

Fletcher, Angus. “The Irregular Aesthetic of The Blazing-World.” Studies in English Literature, 1500–1900 47, no. 1 (2007): 123–41.

Fowler, Ellayne. “A World of Her Own: The Utopian Visions of Margaret Cavendish.” Master’s thesis, Montclair State College, 1993.

Fulton, Alice. “Unordinary Passions: Margaret Cavendish, the Duchess of Newcastle.” In Green Thoughts, Green Shades: Essays by Contemporary Poets on the Early Modern Lyric, edited by Jonathan F.S. Post, 191–219. Berkeley: University of California Press, 2002.

Gagen, Jean. “Honor and Fame in the Works of the Duchess of Newcastle.” Studies in Philology 56, no. 3 (1959): 519–38.

Gardiner, Judith Kegan. “‘Singularity of Self’: Cavendish’s True Relation, Narcissism, and the Gendering of Individualism.” Restoration: Studies in English Literary Culture, 1660–1700 21, no. 2 (1997): 52–65.

Geard, Jennifer Louise. “Sovereign Virtue, Singular Fame: Margaret Cavendish’s Self-Construction as Woman and Author, and the Roles She Sees for Women as Thinkers and Beautiful Tyrants in Natures Pictures Drawn by Fancies Pencil to the Life.” Master’s thesis, University of Canterbury, 1992.

Holmesland, Oddvar. “Margaret Cavendish’s The Blazing World: Natural Art and the Body Politic.” Studies in Philology 96, no. 4 (1999): 457–79.

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Norbrook, David. “Women, the Republic of Letters, and the Public Sphere in the Mid-Seventeenth Century.” Criticism: A Quarterly for Literature and the Arts 46, no. 2 (2004): 223–40.

Owens, Margaret E. “‘A hodge-podge of diseases tasteth well:’ Arcimboldesque Portraits in Margaret Cavendish’s Poems and Fancies (1653).” Word & Image 25, no. 2, (2009): 154–65.

Peterson, Lesley. “Defects Redressed: Margaret Cavendish Aspires to Motley.” Early Modern Literary Studies Special Issue 14 (2004): 8.1–30.

Pohl, Nicole. “‘Of Mixt Natures’: Questions of Genre in Margaret Cavendish’s The Blazing World.” In A Princely Brave Woman: Essays on Margaret Cavendish, Duchess of Newcastle, edited by Stephen Clucas, 51–68. Aldershot: Ashgate, 2003.

Powers, Rhonda R. “A Contextual Analysis of Female Education and Discursive Power in Margaret Cavendish’s Dramas, The Female Academy and Youths Glory and Deaths Banquet.” PhD diss., Southwest Missouri State University, 2000.

Rees, Emma L.E. “Heavens Library and Natures Pictures: Platonic Paradigms and Trial by Genre.” Women’s Writing 4, no. 3 (1997): 369–81.

—. Margaret Cavendish: Gender, Genre, Exile. Manchester: Manchester University Press, 2003.

Rippl, Gabriele. “Mourning and Melancholia in England and its Transatlantic Colonies: Examples of Seventeenth-Century Female Appropriations.” In The Literature of Melancholia: Early Modern to Postmodern, edited by Martin Middeke and Christina Wald, 50–66. Basingstoke: Palgrave Macmillan, 2011.

Robinson, Leni Katherine. “A Figurative Matter: Continuities Between Margaret Cavendish’s Theory of Discourse and her Natural Philosophy.” PhD diss., University of British Columbia, 2010.

Romack, Katherine. “Women and Representational Practice, 1642–1660.” PhD diss., Syracuse University, 2000.

Rosenthal, Laura Jean. “Authoress of a Whole World”: The Duchess of Newcastle and Imaginary Property.” In Playwrights and Plagiarists in Early Modern England: Gender, Authorship, Literary Property, edited by Laura Jean Rosenthal, 58–104. Ithaca: Cornell University Press, 1960.

Rowton, Frederick. Female Poets of Great Britain. Philadelphia: Henry C. Baird, 1853. Reprint, Detroit: Wayne State University Press, 1981.

Rudan, Paola. “Il Centro Eccentrico: Le Donne, Il Femminismo e Il Soggetto a Sesso Unico.” Filosofia Politica 25, no. 3 (2011): 365–83.

Seber, Hande. “Where Science Meets With Fancy: The Atomic Poems of Margaret Cavendish, Duchess of Newcastle.” Hacettepe University, Journal of Faculty of Letters 22, no. 2 (2005): 187–202.

Salzman, Paul. Reading Early Modern Women’s Writing. Oxford: Oxford University Press, 2006.

Sanders, Julie. “‘A Woman Write a Play!’: Jonsonian Strategies and the Dramatic Writings of Margaret Cavendish; or, Did the Duchess Feel the Anxiety of Influence?” In Readings in Renaissance Women’s Drama: Criticism, History, and Performance, 1594–1998, edited by S.P. Cerasano and Marion Wynne-Davies, 293–305. New York: Routledge, 1998.

Schabert, Ina. “The Theatre in the Head: Performances of the Self for the Self by the Self.” In Solo Performances: Staging the Early Modern Self in England, edited by Ute Berns, 33–48. Amsterdam: Rodopi, 2010.

Scott-Baumann, Elizabeth. “‘Bake’d in the Oven of Applause’: The Blazon and the Body in Margaret Cavendish’s Fancies.” Women’s Writing 15, no. 1 (2008): 86–106.

Semler, L.E. “The Magnetic Attraction of Margaret Cavendish and Walter Charleton.” In Early Modern Englishwomen Testing Ideas, edited by Jo Wallwork and Paul Salzman, 55–72. Burlington: Ashgate, 2011.

Sherman, Sandra. “Trembling Texts: Margaret Cavendish and the Dialectic of Authorship.” English Literary Renaissance 24, no. 1 (1994): 184–210.

Sierra, Horacio. “Convents as Feminist Utopias: Margaret Cavendish’s The Convent of Pleasure and the Potential of Closeted Dramas and Communities.” Women’s Studies 38, no. 6 (2009): 647–69.

Smith, Barbara, and Ursula Appelt, eds. Write or be Written: Early Modern Women Poets and Cultural Constraints. Burlington: Ashgate, 2001.

Smith, Cheryl Colleen. “Out of Her Place: Early Modern Exploration and Female Authorship.” PhD diss., Tufts University, 2001.

Smith, Emily. “Genre’s ‘Phantastical Garb’: The Fashion of Form in Margaret Cavendish’s Natures Pictures Drawn by Fancies Pencil to the Life.” Early Modern Literary Studies 11, no. 3 (2006): 6.1–40.

Smith, Katharine Capshaw. “‘Bisket of Love, Which Crumbles All Away’: The Failure of Domestic Metaphor in Margaret Cavendish’s Poetic Fancies.” In Domestic Arrangements in Early Modern England, edited by Kari Boyd McBride, 48–73. Pittsburgh: Duquesne University Press, 2002.

Smith, Sidonie. A Poetics of Women’s Autobiography: Marginality and the Fictions of Self-Representation. Bloomington: Indiana University Press, 1987.

Staton, Jed, Emily Wood, Pepper Binkley, and Colin Still. Hughes, Hopkins, Cavendish, and Plath. DVD. Directed by Colin Still. Princeton: Films for the Humanities & Sciences, 2005.

Stranznicky, Marta. “Reading the Stage: Margaret Cavendish and Commonwealth Closet Drama.” Criticism 37, no. 3 (1995): 355–90.

—. Privacy, Playreading, and Women Closet Drama, 1550–1700. Cambridge: Cambridge University Press. 2004.

Sydney, John. “Margaret, Duchess of Newcastle.” The Aldine 6, no 4 (1873): 84–5.

Tomlinson, Sophie. Women on Stage in Stuart Drama. Cambridge: Cambridge University Press, 2005.

Weststeijn, Thijs. Margaret Cavendish in de Nederlanden: Filosofie en schilderkunst in de Gouden Eeuw. Amsterdam: Amsterdam University Press, 2008.

Wilson, Miranda. “Building a Perfect Silence: The Use of Renaissance Architecture in Margaret Cavendish’s Bell in Campo.” 1650–1850: Ideas, Aesthetics, and Inquiries in the Early Modern Era 10 (2004): 245–64.

Worsley, Lucy, and Tom Addyman. “Riding Houses and Horses: William Cavendish’s Architecture for the Art of Horsemanship.” Architectural History 45 (2002): 194–229.

Worsley, Lucy. “‘An Habitation not so Magnificent as Useful’: Life at Welbeck Abbey in the 17th Century.” The Transactions of the Thoroton Society of Nottinghamshire 107 (2003): 123–143.

—. “Building a Family: William Cavendish, First Duke of Newcastle, and the Construction of Bolsover and Nottingham Castles.” Seventeenth Century 19, no. 2 (2004): 233–59.

—. “Changing Notions of Authenticity: Presenting a Castle Over Four Centuries.” International Journal of Heritage Studies 10, no. 2 (2004): 129–49.