Genre

Ahearn, Kathleen A. “‘I’m Not a Feminist But …’: Liberatory Approaches to Teaching Margaret Cavendish’s The Blazing World.” Women’s Writing 14, no. 2 (2007): 215–31.

Backscheider, Paula R. An Annotated Bibliography of Twentieth-Century Critical Studies of Women and Literature, 1660–1800. New York: Garland Publishing, 1977.

Bennett, Alexandra G. “Margaret Cavendish and the Theatre of War. In Ashgate Critical Essays on Women Writers in England, 1550–1700, Vol. 7, edited by Sara H. Mendelson, 103–113. Burlington: Ashgate, 2009.

Billing, Valerie Christine. “‘Treble marriage’: Margaret Cavendish, William Newcastle, and Collaborative Authorship.” Master’s thesis, University of California, Davis, 2010.

Blaydes, Sophia B. “The Poetry of the Duchess of Newcastle: A Pyramid of Praise.” Bulletin of the West Virginia Association of College English Teachers (1981): 26–34.

—. “The Duchess’ Dilemma.” The Bulletin of the West Virginia Association of College English Teachers 4 (1977): 44–52.

Boesky, Amy Diane. “The Rhetoric of Reform: English Utopian Narrative, 1516–1667.” PhD diss., Harvard University, 1989.

Bonin, Erin Lang. “Worlds of their Own: Seventeenth-Century British Women Writers Envision Utopia.” PhD diss, University of North Carolina, 1998.

—. “Margaret Cavendish’s Dramatic Utopias and the Politics of Gender.” Studies in English Literature, 1500–1900 vol. 40, no. 2 (Spring 2000): 339–54.

Bordinat, Philip. “The Duchess of Newcastle as a Literary Critic.” Bulletin of the West Virginia Association of College English Teachers 5 (1979): 6–12.

Borlik, Todd Andrew. “The Whale under the Microscope: Technology and Objectivity in Two Renaissance Utopias.” In Philosophies of Technology: Francis Bacon and His Contemporaries, edited by Claus Zittel, Gisela Engel, Romano Nanni, and Nicole C. Karafyllis, 231–52. Leiden: Brill, 2008.

Bost, Patricia J. “All I desire is Fame: Margaret Cavendish’s Writing of The Life of William Cavendish, Duke of Newcastle : a Thesis.” Master’s thesis, Appalachian State University, 1992.

Botonaki, Effie. “Marching on the Catwalk and Marketing the Self: Margaret Cavendish’s Autobiography.” A|B: Auto|Biography Studies 13, no. 2 (1998): 159–81.

Bowerbank, Sylvia. “Margaret Cavendish, 1623–1673.” In Literature Criticism from 1400 to 1800, vol. 30, edited by Jennifer Allison Brostrom, 179–236. Detroit: Gale Research, 1996.

Brewer, Lisa K. “Paradise Negotiated: Early Modern Women Writing Utopia, 1640–1760.” PhD diss., West Virginia University, 2005.

Bullard, Rebecca. “Gatherings in Exile: Interpreting the Bibliographical Structure of Natures Pictures Drawn by Fancies Pencil to the Life (1656).” English Studies 92, vol. 7 (2011): 786–805.

Chalmers, Hero. “‘Flattering Division’: Margaret Cavendish’s Poetics of Variety.” In Authorial Conquests: Essays on Genre in the Writings of Margaret Cavendish, edited by Line Cottegnies and Nancy Weitz, 123–44. Cranbury: Associated University Presses, 2003.

Chao, Tien-yi. “‘My Ambition Flies Higher, as to Worth and Merit’: Margaret Cavendish’s Redefintion of Glory in A True Relation and CCXI Sociable Letters.” NTU Studies in Language and Literature 16 (2006): 83–102.

Clucas, Stephen, ed. A Princely Brave Woman: Essays on Margaret Cavendish, Duchess of Newcastle. Aldershot: Ashgate, 2003.

Corporaal, Marguérite. “An Empowering Wit and an ‘Unnatural’ Tragedy: Margaret Cavendish’s Representation of the Tragic Female Voice.” Early Modern Literary Studies Special Issue 14 (2004): 12.1–26.

Cottegnies, Line. “Margaret Cavendish Et l’« Autobiographie » au XVII Siècle: Topographie d’Un Discours Paradoxal.” In L’Autobiographie Littéraire En Angleterre (XVIIe–XXe Siècles): Géographies Du Soi, edited by Frédéric Regard, 35–55. Saint-Etienne: Publications de l’Université de Saint-Etienne, 2000.

—. “The ‘Native Tongue’ of the ‘Authoress’: The Mythical Structure of Margaret Cavendish’s Autobiographical Narrative.” In Authorial Conquests: Essays on Genre in the Writings of Margaret Cavendish, edited by Line Cottegnies and Nancy Weitz, 103–19. Cranbury: Associated University Presses, 2003.

—. “The Garden and the Tower: Pastoral Retreat and Configurations of the Self in the Auto/Biographical Works of Margaret Cavendish and Lucy Hutchinson.” In Mapping the Self: Space, Identity, Discourse in British Auto/Biography, edited by Frédéric Regard and Geoffrey Wall, 125–44. Saint-Etienne: Publications de l’Université de Saint-Etienne, 2003.

Cottegnies, Line, and Nancy Weitz. Authorial Conquests: Essays on Genre in the Writings of Margaret Cavendish. Cranbury: Associated University Presses, 2003.

Crooks, Katherine. “The Complete Love Letters of Margaret Cavendish.” Master’s thesis, Creighton University, 2003.

Cuder Domínguez, Pilar. “Re-Crafting the Heroic, Constructing a Female Hero: Margaret Cavendish and Aphra Behn.” SEDERI: Yearbook of the Spanish and Portuguese Society for English Renaissance Studies 17 (2007): 28–46.

—. Stuart Women Playwrights, 1613–1713. Burlington: Ashgate, 2011.

D’Monté, Rebecca Ann. “‘Making a Spectacle’: Margaret Cavendish and the Staging of the Self.” In A Princely Brave Woman: Essays on Margaret Cavendish, Duchess of Newcastle, edited by Stephen Clucas, 109–26. Aldershot: Ashgate, 2003.

—. “Mirroring Female Power: Separatist Spaces in the Plays of Margaret Cavendish, Duchess of Newcastle.” In Female Communities, 1600–1800: Literary Visions and Cultural Realities, edited by Rebecca D’Monté and Nicole Pohl, 93–110. London: Macmillan Press Limited, 2000.

—. “Re-presenting the Female Body in Seventeenth-Century Drama: The Plays of Margaret Cavendish, Duchess of Newcastle, and Aphra Behn.” PhD diss., University of London, 2000.

Dash, Irene G. “Single-Sex Retreats in Two Early Modern Dramas: Love’s Labor’s Lost and The Convent of Pleasure.” Shakespeare Quarterly 47, no. 4 (1996): 387–95.

Davis, Natalie Zemon. “Gender and Genre: Women as Historical Writers, 1400–1820.” In Beyond Their Sex: Learned Women of the European Past, edited by Patricia H. Labalme, 153–82. New York: New York University Press, 1980.

Demers, Patricia. Women’s Writing in English: Early Modern England. Buffalo: University of Toronto Press, 2005.

DeRosa, Robin. “‘What Have I On a Petticoat?’: The Convent of Pleasure and the Reality of Performance.” Postscript: A Journal of Graduate School Criticism and Theory 5, no. 2 (2000): 79–90.

Dodds, Lara. “Style Talk: Poetry, Rhetoric, and Natural Philosophy in Seventeenth-Century England.” PhD diss., Brown University, 2004.

—. “‘Poore Donne was out’: Reading and Writing Donne in the Works of Margaret Cavendish.” John Donne Journal: Studies in the Age of Donne 29 (2010): 133–74.

—. “Margaret Cavendish’s Domestic Experiment.” In Genre and Women’s Life Writing in Early Modern England, edited by Michelle M. Dowd and Julie A. Eckerle, 151–68. Aldershot: Ashgate, 2007.

—. “Reading and Writing in Sociable Letters; Or, How Margaret Cavendish Read Her Plutarch.” English Literary Renaissance 41, no. 1 (2011): 189–218.

—. The Literary Invention of Margaret Cavendish. Pittsburgh: Duquesne University Press, 2013.

Donaldson, Elizabeth Thelma. “New Castles in the Air: Atomism and the Imagination in the Poetry of Margaret Cavendish.” Honors essay, University of North Carolina at Chapel Hill, 2002.

Donawerth, Jane. “Conversation and the Boundaries of Public Discourse in Rhetorical Theory by Renaissance Women.” Rhetorica 16, no. 2 (1998): 181–99.

Donovan, Josephine. “Women and the Rise of the Novel: A Feminist-Marxist Theory.” Signs: Journal of Women in Culture & Society 16, no. 3 (1991): 441–62.

Dowd, Michelle M., and Julie A. Eckerle, eds. Genre and Women’s Life Writing in Early Modern England. Aldershot: Ashgate, 2007.

Earnest, Marykate. “An Ecocritical Exploration of the Unique Nature of Oceans in The Blazing World.” Early English Studies 3 (2010): 2–32.

Eger, Elizabeth. “Paper Trails and Eloquent Objects: Bluestocking Friendship and Material Culture.” Parergon: Journal of the Australian and New Zealand Association for Medieval and Early Modern Studies 26, no 2 (2009): 109–38.

Ezell, Margaret J.M. “The Laughing Tortoise: Speculations on Manuscript Sources and Women’s Book History.” English Literary Renaissance 38, no 2 (2008): 331–55.

—. “‘To Be Your Daughter in Your Pen’: The Social Functions of Literature in the Writings of Lady Elizabeth Brackley and Lady Jane Cavendish.” Huntington Library Quarterly 51, no. 4 (1988): 281–96.

Farmer, Amy Lynn. “The Rhetoric of Distance: Symbolic Capital and Women’s Textual Practices in Seventeenth Century England.” PhD diss., University of Illinois at Urbana-Champaign, 2000.

Figueroa Dorrego, Jorge. “Men’s Violence in Women’s Prose Fiction of the Seventeenth Century: The Case of Margaret Cavendish.” In El inglés como vocación: Homenaje al profesor Miguel Castelo Montero, edited by Antonio Rául de Toro Santos et al., 185–94. La Coruña: Universidade da Coruña, 2003.

—. “Women Writing Romance/Romance Righting Women in Seventeenth-Century England.” In Rôle et Place de la Femme dans la Société Européenne de l’Antiquité à Nos Jours, edited by Jacqueline Bel, 143–58. Boulogne sur Mer: Centre d’Etudes et de Recherche sur les Civilisations et les Litteratures Europeennes, 2005.

Findlay, Alison, Gweno Williams, and Stephanie J. Hodgson-Wright. “‘The Play Is Ready To be Acted’: Women and Dramatic Production, 1570–1670.” Women’s Writing 6, no. 1 (1999): 129–48.

—. “‘I hate such an old-fashioned House’: Margaret Cavendish and the Search for Home.”Early Modern Literary Studies Special Issue 14 (2004): 11.1–14.

—. “‘No Silent Woman’: The Plays of Margaret Cavendish, Duchess of Newcastle.” In Women and Dramatic Production, 1550–1700, edited by Alison Findlay, Stephanie Hodgson-Wright, and Gweno Williams, 95–122. Harlow: Longman, 2000.

—. “Playing the ‘Scene Self’: Jane Cavendish and Elizabeth Brackley’s The Concealed Fancies.” In Enacting Gender on the English Renaissance Stage, edited by Vivana Comensoli and Anne Russell, 154–76. Urbana: University of Illinois Press, 1999.

Findley, Sandra, and Elaine Hobby. “Seventeenth-Century Women’s Autobiography.” In 1642: Literature and Power in the Seventeenth Century, edited by Francis Barker et al., 198–209. Essex: University of Essex Press, 1981.

Fitzmaurice, James. “‘When an Old Ballad Is Plainly Sung’: Musical Lyrics in the Plays of Margaret and William Cavendish.” In Oral Traditions and Gender in Early Modern Literary Texts, edited by Mary Ellen Lamb and Karen Bamford, 153–67. Aldershot: Ashgate, 2008.

—. “Autobiography, Parody and the Sociable Letters of Margaret Cavendish.” In A Princely Brave Woman: Essays on Margaret Cavendish, Duchess of Newcastle, edited by Stephen Clucas, 69–83. Aldershot: Ashgate, 2003.

—. “Fancy and the Family: Self-Characterizations of Margaret Cavendish.” Huntington Library Quarterly: A Journal for the History and Interpretation of English and American Civilization 53, no. 3 (1990): 198–209.

—. “Front Matter and the Physical Make-up of Natures Pictures.” Women’s Writing 4, no. 3 (1997): 353–67.

—. “Historical Linguistics, Literary Interpretation, and the Romances of Margaret Cavendish.” In Methods in Historical Pragmatics, edited by Susan Fitzmaurice and Irma Taavitsainen, 267–84. Berlin: Mouton de Gruyter, 2007.

—. “Margaret Cavendish in Antwerp: The Actual and the Imaginary.” In-between: Essays and Studies in Literary Criticism 9, no. 1–2 (2000): 29–39.

—. “Margaret Cavendish on Her Own Writing: Evidence from Revision and Handmade Correction.” Papers of the Bibliographical Society of America 85, no. 3 (1991): 297–308.

—. “Margaret Cavendish’s Life of William, Plutarch, and Mixed Genre.” In Authorial Conquests: Essays on Genre in the Writings of Margaret Cavendish, edited by Line Cottegnies and Nancy Weitz, 80–102. Cranbury: Associated University Presses, 2003.

—. “‘The Lotterie’: A Transcription of a Manuscript Play Probably by Margaret Cavendish.” Huntington Library Quarterly: Studies in English and American History and Literature 66, no.1–2 (2003): 155–67.

—. “Some Problems in Editing Margaret Cavendish.” In New Ways of Looking at Old Texts: Papers of the Renaissance English Text Society, edited by Speed W. Hill, 253–61. Binghamton: Medieval & Renaissance Texts & Studies, 1993.

—. “The Cavendishes, the Evelyns, and Teasing in Verse and Prose.” Quidditas: Journal of the Rocky Mountain Medieval and Renaissance Association 16–17 (1995–1996): 161–86.

—. “The Intellectual and Literary Courtship of Margaret Cavendish.” Early Modern Literary Studies Special Issue 14 (2004): 7.1–16.

—. “The Life and the Literary Reputation of Margaret Cavendish.” Quidditas: The Journal of the Rocky Mountain Medieval and Renaissance Association 20 (1999): 55–74.

Fitzmaurice, Susan. “‘But, Madam’: The Interlocutor in Margaret Cavendish’s Writing.” In-between: Essays and Studies in Literary Criticism 9, no. 1–2 (2000): 17–27.

—. “Intersubjectivity and the Writing of the Epistolary Interlocutor.” In The Familiar Letter in Early Modern English, by Susan Fitzmaurice, 175–206. Philadelphia: John Benjamins, 2002.

—. “Margaret Cavendish, the Doctors of Physick and Advice to the Sick.” In A Princely Brave Woman: Essays on Margaret Cavendish, Duchess of Newcastle, edited by Stephen Clucas, 210–41. Aldershot: Ashgate, 2003.

—. “Sociable Letters, Acts of Advice and Medical Counsel.” In The Familiar Letter in Early Modern English, by Susan Fitzmaurice, 87–128. Philadelphia: John Benjamins, 2002.

—. “Tentativeness and Insistence in the Expression of Politeness in Margaret Cavendish’s Sociable Letters.” Language and Literature: Journal of the Poetics and Linguistics Association 9, no. 1 (2000): 7–24.

Fleming, Juliet. “Margaret Cavendish, Shakespeare Critic.” In A Feminist Companion to Shakespeare, edited by Dympna Callaghan, 21–41. Malden: Blackwell Publishers, 2000.

Fletcher, Angus. “The Irregular Aesthetic of The Blazing-World.” Studies in English Literature, 1500–1900 47, no. 1 (2007): 123–41.

Fowler, Ellayne. “A World of Her Own: The Utopian Visions of Margaret Cavendish.” Master’s thesis, Montclair State College, 1993.

—. “Margaret Cavendish and the Ideal Commonwealth.” Utopian Studies 7, no. 1 (1996): 38–48.

Fulton, Alice. “Unordinary Passions: Margaret Cavendish, the Duchess of Newcastle.” In Green Thoughts, Green Shades: Essays by Contemporary Poets on the Early Modern Lyric, edited by Jonathan F.S. Post, 191–219. Berkeley: University of California Press, 2002.

Gagen, Jean. “Honor and Fame in the Works of the Duchess of Newcastle.” Studies in Philology 56, no 3 (1959): 519–38.

Geard, Jennifer Louise. “Sovereign Virtue, Singular Fame: Margaret Cavendish’s Self-Construction as Woman and Author, and the Roles She Sees for Women as Thinkers and Beautiful Tyrants in Natures Pictures Drawn by Fancies Pencil to the Life.” Master’s thesis, University of Canterbury, 1992.

Goulding, Richard William. Margaret (Lucas) Cavendish, Duchess of Newcastle. London: Lincolnshire Chronicle, 1925.

Graham, Elspeth. “Intersubjectivity, Intertextuality, and Form in the Self-Writings of Margaret Cavendish.” In Genre and Women’s Life Writing in Early Modern England, edited by Michelle M. Dowd and Julie A. Eckerle, 131–50. Aldershot: Ashgate, 2007.

Hobby, Elaine. Virtue of Necessity: English Women’s Writing 1649–88. Ann Arbor: University of Michigan Press, 1989.

Hopkins, Lisa. “Crime and Context in The Unnatural Tragedy.” Early Modern Literary Studies Special Issue 14 (2004), 6.1–12.

Ingram, Randall. “First Words and Second Thoughts: Margaret Cavendish, Humphrey Mosley, and ‘the Book.’” Journal of Medieval and Early Modern Studies 30, no.1 (2000): 101–24.

Iyengar, Sujata. “Royalist, Romanticist, Racialist: Rank, Gender, and Race in the Science and Fiction of Margaret Cavendish.” In Ashgate Critical Essays on Women Writers in England 1500–1700: Margaret Cavendish, edited by Sara H. Mendelson, 331–72. Farnham: Ashgate, 2009.

Jung, Sandro. “Margaret Cavendish’s Mythopoetics: By Way of Introduction.” English Studies 92, no. 7 (2011): 705–10.

Kahn, Victoria. “Margaret Cavendish and the Romance of Contract.” Renaissance Quarterly 50, no. 2 (1997): 526–66.

Käppeli-Kälin, Ursula. Margaret Cavendish: “‘Description of a New World, called the Blazing World’ (1666): eine feministische Utopie?” PhD diss., University of Berne, 1995.

Kerr, Heather. “Margaret Cavendish and Queer Literary Subjectivity.” In Women Writing 1550–1750, edited by Jo Wallwork and Paul Salzman, 215–36. Bundoora: Meridian, 2001.

Khanna, Lee Cullen. “The Subject of Utopia: Margaret Cavendish and Her Blazing-World.” In Utopian and Science Fiction by Women: Worlds of Difference, edited by Jane L. Donawerth and Carol A. Kolmerten, 15–34. Syracuse: Syracuse University Press, 1994.

—. “Utopian Exchanges: Negotiating Difference in Utopia.” In Gender and Utopia in the Eighteenth Century, edited by Nicole Pohl and Brenda Tooley, 17–37. Aldershot: Ashgate, 2007.

—. “Utopian Texts by Early Modern Women.” Utopian Studies 7, no. 1 (1996): 1–5.

Leslie, Marina. “Gender, Genre and the Utopian Body in Margaret Cavendish’s Blazing World.” Utopian Studies 7, no. 1 (1996): 6–24.

—. Renaissance Utopias and the Problem of History. Ithaca: Cornell University Press, 1998.

Lilley, Kate. “Blazing Worlds: Seventeenth-Century Women’s Utopian Writing.” In Women, Texts, and Histories, 101–32. London: Routledge, 1992.

Martín-Lucas, Belén. “‘A World of My Own’: Margaret Cavendish’s Auto/Biographical Texts.” In Re-Shaping the Genres: Restoration Women Writers, edited by Zenón Luis-Martínez and Jorge Figueroa-Dorrego, 213–32. Bern: Peter Lang, 2003.

Mason, Mary G. “The Other Voice: Autobiographies of Women Writers.” In Autobiography: Essays Theoretical and Critical, edited by James Olney, 207–35. Princeton: Princeton University Press, 1980.

Masten, Jeffrey. Textual Intercourse: Collaboration, Authorship, and Sexualities in Renaissance Drama. Cambridge: Cambridge University Press, 1997.

Mazzola, Elizabeth. Women’s Wealth and Women’s Writing in Early Modern England: ‘Little Legacies’ and the Materials of Motherhood. Farnham: Ashgate, 2009.

Mendelson, Sara. “Playing Games with Gender and Genre: The Dramatic Self-Fashioning of Margaret Cavendish.” In Authorial Conquests: Essays on Genre in the Writings of Margaret Cavendish, edited by Line Cottegnies and Nancy Weitz, 195–212. Cranbury: Associated University Presses, 2003.

Norbrook, David. “Women, the Republic of Letters, and the Public Sphere in the Mid-Seventeenth Century.” Criticism: A Quarterly for Literature and the Arts 46, no. 2 (2004): 223–40.

Payne, Linda R. “Genre and Gender: Women as Writers of Prose Fiction and Drama in Restoration and Early Eighteenth Century England.” PhD diss., University of Delaware, 1990.

Perry, Henry Ten Eyck. The First Duchess of Newcastle and Her Husband as Figures in Literary History. Boston: Ginn and Company, 1918.

Peterson, Lesley. “Defects Redressed: Margaret Cavendish Aspires to Motley.” Early Modern Literary Studies Special Issue 14 (2004): 8.1–30.

Phillips, Bill. “The Rape of Mother Earth in Seventeenth Century English Poetry: An Ecofeminist Interpretation.” Atlantis: Revista de la Asociación Española de Estudios Anglo-Norteamericanos 26, no. 1 (2004): 49–60.

Pohl, Nicole. “‘Of Mixt Natures’: Questions of Genre in Margaret Cavendish’s The Blazing World.” In A Princely Brave Woman: Essays on Margaret Cavendish, Duchess of Newcastle, edited by Stephen Clucas, 51–68. Aldershot: Ashgate, 2003.

Polomo, Delores. Margaret Cavendish, Duchess of Newcastle (1623–1673) and the Uses of Women’s History. Washington D. C.: Eric Clearinghouse, 1978.

Poole, William. “Francis Godwin, Henry Neville, Margaret Cavendish, H.G. Wells: Some Utopian Debts.” ANQ: A Quarterly Journal of Short Articles, Notes, and Reviews 16, no. 3 (2003): 12–18.

Poston, Mervyn L. “The Origin of the English Heroic Play.” The Modern Language Review 16, no. 1 (1921): 18–22.

Powers, Rhonda R. “Margaret Cavendish and Shakespeare’s Ophelia: Female Role-Playing and Self-Fashioned Identity.” In-between: Essays and Studies in Literary Criticism 9, no 1–2 (2000): 107–15.

Prasad, K.Margaret Cavendish’s Blazing World, A Seventeenth Century Utopia.” In Essays Presented to Amy G. Stock, Professor of English, Rajasthan University, 1961–65, edited by R.K. Kaul, 58–67. Jaipur: Rajasthan University Press, 1965.

Price, Bronwen. “Feminine Modes of Knowing and Scientific Enquiry: Margaret Cavendish’s Poetry as Case Study.” In Women and Literature in Britain, 1500–1700, edited by Helen Wilcox, 117–39. Cambridge: Cambridge University Press, 1996.

—. “Journeys beyond Frontiers: Knowledge, Subjectivity and Outer Space in Margaret Cavendish’s The Blazing World (1666).” In The Arts of 17th-Century Science: Representations of the Natural World in European and North American Culture, edited by Claire Jowitt and Diane Watt, 127–45. Aldershot: Ashgate, 2002.

Prieto-Pablos, Juan A. “The Disease of Wit and the Discourse of Reason in Margaret Cavendish’s Observations upon Experimental Philosophy.” In The Female Wits: Women and Gender in Restoration Literature and Culture, edited by Pilar Cuder-Domínguez, Zenón Luis-Martínez, and Juan A. Prieto-Pablos. Huelva: Universidad de Huelva, 2006.

Quinsee, Susannah Jane. “Versions of Androgyny in Seventeenth-Century Women’s Poetry: Anne Bradstreet, Margaret Cavendish and Aphra Behn.” PhD diss., University of Liverpool, 1999.

Raber, Karen J. Dramatic Difference: Gender, Class, and Genre in the Early Modern Closet Drama. Newark: University of Delaware Press, 2001.

—. “‘Our Wits Joined as in Matrimony’: Margaret Cavendish’s Plays and the Drama of Authority.” English Literary Renaissance 28, no. 3 (1998): 464–93.

—. “Warrior Women in the Plays of Cavendish and Killigrew.” Studies in English Literature, 1500–1900 40, no. 3 (2000): 413–33.

—. “The Unnatural Tragedy and Familial Absolutisms.” In Cavendish and Shakespeare, Interconnections, edited by Katherine Romack and James Fitzmaurice, 179–91. Burlington: Ashgate, 2006.

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Rée, Jonathan. “Women Philosophers and the Canon.” British Journal for the History of Philosophy 10, no. 4 (2002): 641–52.

Rees, Emma L.E. “Genre in Exile: Margaret Cavendish’s Writings of the 1650s.” PhD diss., University of East Anglia, 1997.

—. “Heavens Library and Natures Pictures: Platonic Paradigms and Trial by Genre.” Women’s Writing 4, no. 3 (1997): 369–81.

—. “Triply Bound: Genre and the Exilic Self.” In Authorial Conquests: Essays on Genre in the Writings of Margaret Cavendish, edited by Line Cottegnies and Nancy Weitz, 23–39. Cranbury: Associated University Presses, 2003.

—. Margaret Cavendish: Gender, Genre, Exile. Manchester: Manchester University Press, 2003.

Reeves, Margaret. “Writing for ‘Profitable use’: Satiric Political Discourse in Women’s Prose Fiction, 1628–1688.” PhD diss., University of Toronto, 2004.

—. “Writing to Posterity: Margaret Cavendish’s ‘A True Relation of my Birth, Breeding, and Life’ (1656) as an ‘autobiographical relazione’.” Renaissance and Reformation 34 no. 1 (2011): 183–206.

Rex, Michael. “The Heroines’ Revolt: English Women Writing Epic Poetry, 1654–1789.” PhD diss., Wayne State University, 1998.

—. “The Nature of Epic: Margaret Cavendish’s Poems and Fancies and the Construction of a ‘New’ English Epic Ideology.” In Experiments in Genre in Eighteenth-Century Literature, edited by Sandro Jung, 11–32. Gent: Academia Press, 2011.

Riley, Kate. “Playing with Worldly Things: The Dialogues of the Little Academy at Little Gidding.” In Renaissance Poetry and Drama in Context: Essays for Christopher Wortham, edited by Andrew Lynch, and Anne M. Scott, 197–220. Cambridge: Cambridge Scholars, 2008.

Robinson, David Michael. “Pleasant Conversation in the Seraglio: Lesbianism, Platonic Love, and Cavendish’s Blazing World.” The Eighteenth Century 44 (2003): 133–66.

Rogers, John. “Margaret Cavendish and the Gendering of the Vitalist Utopia.” In The Matter of Revolution: Science, Poetry, and Politics in the Age of Milton, by John Rogers, 177–211. Ithaca: Cornell University Press, 1996.

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Rosenthal, Laura J. “‘Authoress of a Whole World’: The Duchess of Newcastle and Imaginary Property.” Playwrights and Plagiarists in Early Modern England: Gender, Authorship, Literary Property, 58–104. Ithaca: Cornell University Press, 1996.

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S.K.C. “Poems and Plays by the Duchess of Newcastle.” Blackwood’s Edinburgh Magazine 4, no. 21 (1818): 309–13.

Seber, Hande. “Where Science Meets With Fancy: The Atomic Poems of Margaret Cavendish, Duchess of Newcastle.” Hacettepe University, Journal of Faculty of Letters 22, no. 2 (2005): 187–202.

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—. “Two Voyagers: Margaret Cavendish and John Dunton.” In English Prose Fiction 1558–1700: A Critical History, by Paul Salzman, 292–307. Oxford: Oxford University Press, 1985.

—. English Prose Fiction, 1558–1700: A Critical History. Oxford: Oxford University Press, 1985.

—. Reading Early Modern Women’s Writing. Oxford: Oxford University Press, 2006.

Sanchez, Melissa Elaine. “Monstrous Eros: A Reconsideration of Seventeenth-Century British Romance.” PhD diss., University of California, Irvine, 2002.

Sandro, Jung. “Margaret Cavendish’s Mythopoetics: By Way of Introduction.” English Studies 92, no. 7 (2011): 705–10.

Sarasohn, Lisa T. “Leviathan and the Lady: Cavendish’s Critique of Hobbes in the Philosophical Letters.” In Authorial Conquests: Essays on Genre in the Writings of Margaret Cavendish, edited by Line Cottegnies and Nancy Weitz. Cranbury: Associated University Presses, 2003.

Sartiel, Galia. “Margaret Cavendish and the Utopian Imagination.” Master’s thesis, Tel Aviv University, 2000.

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Schneider, Gary. “Royalist Approaches to the Civil War and Commonwealth in Familiar Letter Collections.” Renaissance Studies 24, no. 4 (2010): 559–74.

Scott-Douglass, Amy. “Enlarging Margaret: Cavendish, Shakespeare, and French Women Warriors and Writers.” In Cavendish and Shakespeare, Interconnections, edited by Katherine Romack and James Fitzmaurice, 147–78. Burlington: Ashgate, 2006.

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Shanahan, John. “The Indecorous Virtuoso: Margaret Cavendish’s Experimental Spaces.” Genre: Forms of Discourse and Culture 35, no. 2 (2002): 221–51.

Siegfried, Brandie R. “Anecdotal and Cabalistic Forms in Observations Upon Experimental Philosophy.” In Authorial Conquests: Essays on Genre in the Writings of Margaret Cavendish, edited by Line Cottegnies and Nancy Weitz, 59–79. Cranbury: Associated University Presses, 2003.

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