Politics

Ankers, Neil. “Paradigms and Politics: Hobbes and Cavendish Contrasted.” In A Princely Brave Woman: Essays on Margaret Cavendish, Duchess of Newcastle, edited by Stephen Clucas, 242–54. Aldershot: Ashgate, 2003.

Apostalova, Iva. “Princess Elizabeth of Bohemia and Margaret Cavendish: The Feminine Touch in Seventeenth-Century Epistemology.” Maritain Studies 26 (2010): 83–97.

Ballaster, Ros. “Restoring the Renaissance: Margaret Cavendish and Katherine Phillips.” In Renaissance Configurations: Voices/Bodies/Spaces, 1580–1690, edited by Gordon McMullan, 234–52. New York: St Martin’s Press, 1998.

Barnes, Diana. “The Restoration of Royalist Form in Margaret Cavendish’s Sociable Letters.” In Women Writing 1550–1750, edited by Jo Wallwork and Paul Salzman, 201–14. Victoria: Meridian, 2001.

Battigelli, Anna. “Political Thought/Political Action: Margaret Cavendish’s Hobbesian Dilemma.” In Women Writers and the Early Modern British Political Tradition, edited by Hilda L. Smith, 40–55. Cambridge: Cambridge University Press, 1998.

Bennett, Alexandra G. “Margaret Cavendish and the Theatre of War.” In Ashgate Critical Essays on Women Writers in England, 1550–1700: Margaret Cavendish, edited by Sara H. Mendelson, 103–13. Farnham: Ashgate, 2009.

—. “Happy Families and Learned Ladies: Margaret Cavendish, William Cavendish, and Their Onstage Academy Debate.” Early Modern Literary Studies Special Issue 14 (2004): 3.1–14.

Bonin, Erin Lang. “Margaret Cavendish’s Dramatic Utopias and the Politics of Gender.” Studies in English Literature, 1500–1900 40, no. 2 (2000): 339–54.

Boulard-Jouslin, Claire. “Politique et Imagination Féminine dans Natures Pictures de Margaret Cavendish (1656).” Etudes Epistémè 9 (2006): 429–49.

Bowles, Emily.” Faults of a Female Pen? Reading the Traces of Embodiment, Authority, and Misogyny in Margaret Cavendish’s Handwritten Words.” Eighteenth-Century Women: Studies in their Lives, Work, and Culture 6 (2011): 1–19.

Boyle, Deborah. “Margaret Cavendish’s Nonfeminist Natural Philosophy.” Configurations: A Journal of Literature, Science, and Technology 12, no. 2 (2004): 195–227.

Broad, Jacqueline, and Karen Green. A History of Women’s Political Thought in Europe, 1400–1700. Cambridge: Cambridge University Press, 2009.

Cottegnies, Line. “Margaret Cavendish Et l’« Autobiographie » au XVII Siècle: Topographie d’Un Discours Paradoxal.” In L’Autobiographie Littéraire En Angleterre (XVIIe–XXe Siècles): Géographies Du Soi, edited by Frédéric Regard, 35–55. Saint-Etienne: Publications de l’Université de Saint-Etienne, 2000.

D’Monté, Rebecca. “Mirroring Female Power: Separatist Spaces in the Plays of Margaret Cavendish, Duchess of Newcastle.” In Female Communities, 1600–1800: Literary Visions and Cultural Realities, edited by Rebecca D’Monté and Nicole Pohl, 93–110. London: Macmillan Press Limited, 2000.

Dewhurst, Madeline Anna Abney. “‘And Make Me Famous Too in Such a Wife’: How Margaret and William Cavendish Negotiated the Interregnum.” PhD diss., Queen Mary, University of London, 2009.

Donawerth, Jane. “Conversation and the Boundaries of Public Discourse in Rhetorical Theory by Renaissance Women.” Rhetorica 16, no. 2 (1998): 181–99.

Donovan, Josephine. “Women and the Rise of the Novel: A Feminist-Marxist Theory.” Signs: Journal of Women in Culture and Society 16, no. 3 (1991): 441–62.

Dowd, Michelle M., and Julie A. Eckerle, eds. Genre and Women’s Life Writing in Early Modern England. Aldershot: Ashgate, 2007.

Evans, Meredith. “The One and the Many: Political Community in Early Modern England.” PhD diss., Johns Hopkins University, 2007.

Farmer, Amy Lynn. “The Rhetoric of Distance: Symbolic Capital and Women’s Textual Practices in Seventeenth Century England.” PhD diss., University of Illinois at Urbana-Champaign, 2000.

Figueroa Dorrego, Jorge. “Women Writing Romance/Romance Righting Women in Seventeenth-Century England.” In Rôle et Place de la Femme dans la Société Européenne de l’Antiquité à Nos Jours, edited by Jacqueline Bel, 143–58. Boulogne sur Mer: Centre d’Etudes et de Recherche sur les Civilisations et les Litteratures Europeennes, 2005.

Findlen, Paula. “Ideas in the Mind: Gender and Knowledge in the Seventeenth Century.” Hypatia 17, no. 1 (2002): 183–96.

Fitzmaurice, James. “Margaret Cavendish, Richard Flecknoe, and Raillery at the Salon of Beatrix de Cusance.” English Studies 92, no. 7 (2011): 771–85.

Fitzmaurice, Susan. “Tentativeness and Insistence in the Expression of Politeness in Margaret Cavendish’s Sociable Letters.” Language and Literature: Journal of the Poetics and Linguistics Association 9, no. 1 (2000): 7–24.

Fletcher, Angus. “The Irregular Aesthetic of The Blazing-World.” SEL: Studies in English Literature, 1500–1900 47, no. 1 (2007): 123–41.

Fowler, Ellayne. “A World of Her Own: The Utopian Visions of Margaret Cavendish.” Master’s thesis, Montclair State College, 1993.

—. “Margaret Cavendish and the Ideal Commonwealth.” Utopian Studies 7, no. 1 (1996): 38–48.

Gagen, Jean. “Honor and Fame in the Works of the Duchess of Newcastle.” Studies in Philology 56, no. 3 (1959): 519–38.

Gallagher, Catherine. “Embracing the Absolute: The Politics of the Female Subject in Seventeenth-Century England.” Genders 1 (1988): 24–39.

Gardiner, Judith Kegan. “‘Singularity of Self’: Cavendish’s True Relation, Narcissism, and the Gendering of Individualism.” Restoration: Studies in English Literary Culture, 1660–1700 21, no. 2 (1997): 52–65.

Geard, Jennifer Louise. “Sovereign Virtue, Singular Fame: Margaret Cavendish’s Self-Construction as Woman and Author, and the Roles She Sees for Women as Thinkers and Beautiful Tyrants in Natures Pictures Drawn by Fancies Pencil to the Life.” Master’s thesis, University of Canterbury, 1992.

Gillespie, Katharine. Domesticity and Dissent in the Seventeenth Century: English Women Writers and the Public Sphere. New York: Cambridge University Press, 2004.

Gregoriou, Zelia. “Learning Performances of Dislocation, Receptivity and Hybridity in Women’s Utopian Writing.” PhD diss., University of Illinois at Urbana-Champaign, 1998.

Gross, Elizabeth Anne. “Domestic Agents: Women, War and Literature in Early Modern England.” PhD diss., The Pennsylvania State University, 2006.

Hammons, Pamela S. “The Gendered Imagination of Property in Sixteenth- and Seventeenth-Century English Women’s Verse.” CLIO: A Journal of Literature, History, and the Philosophy of History, 34, no. 4 (2005): 395–418.

—. Poetic Resistance: English Women Writers and the Early Modern Lyric. Aldershot: Ashgate, 2002.

Hardacre, P.H. “The Royalists in Exile During the Puritan Revolution, 1642–1660.” Huntington Library Quarterly: A Journal for the History and Interpretation of English and American Civilization 16, no. 4 (1953): 353–70.

Harting, Ursula Alice. “Lord William Cavendish and Duchess Margaret Cavendish in the Rubens Garden at Antwerp.” Jahrbuch der Berliner Museen 44 (2002): 15–28.

Hintz, Carrie. “‘But One Opinion’: Fear of Dissent in Cavendish’s New Blazing World.” Utopian Studies 7 no. 1 (1996): 25–37.

Holmesland, Oddvar. “Margaret Cavendish’s The Blazing World: Natural Art and the Body Politic.” Studies in Philology 96, no. 4 (1999): 457–79.

—. “Fighting the Kingdom of Faction in Bell in Campo.” Early Modern Literary Studies Special Issue 14 (2004): 5.1–25.

—. Utopian Negotiation: Aphra Behn and Margaret Cavendish. Syracuse: Syracuse University Press, 2013.

Hughes, Ann, and Julie Sanders. “Disruptions and Evocations of Family amongst Royalist Exiles.” In Literatures of Exile in the English Revolution and Its Aftermath, 1640–1690, edited by Philip Major, 45–63. Farnham: Ashgate, 2010.

Mendelson, Sara H. “Concocting the World’s Olio: Margaret Cavendish and Continental Influence.” Early Modern Literary Studies Special Issue 14 (2004) 1.1–34.

Nelson, Holly Faith, and Sharon Alker. “Memory, Monuments, and Melancholic Genius in Margaret Cavendish’s Bell in Campo.” Eighteenth Century Fiction 21, no. 1 (2008): 13–35.

Norbrook, David. “Women, the Republic of Letters, and the Public Sphere in the Mid-Seventeenth Century.” Criticism: A Quarterly for Literature and the Arts 46, no. 2 (2004): 223–40.

Sale, Carolyn Joan. “Contested Acts: Legal Performances and Literary Authority in Early Modern England.” PhD diss., Stanford University, 2002.

Schwoerer, Lois G. “Women and the Glorious Revolution.” Albion: A Quarterly Journal Concerned with British Studies 18, no. 2 (1986): 195–218.

Suzuki, Mihoko “Gender, the Political Subject, and Dramatic Authorship: Margaret Cavendish’s Loves Adventures and the Shakespearean Example.” In Cavendish and Shakespeare, Interconnections, edited by Katherine Romack and James Fitzmaurice, 103–19. Burlington: Ashgate, 2006.

—. “Margaret Cavendish and the Female Satirist.” Studies in English Literature, 1500–1900 37, no. 3 (1997): 483–500.

—. “The Essay Form as Critique: Reading Cavendish’s The World’s Olio Through Montaigne and Bacon (and Adorno).” Prose Studies: History, Theory, Criticism, 22, no. 3 (1999): 1–16.

—. “Recognizing Women’s Dramas as Political Writings: The Plays of 1701 by Wiseman, Pix and Trotter.” Women’s Writing 18, no. 4 (2011): 547–64.

Thell, Anne M. “The Power of Transport, the Transport of Power: Margaret Cavendish’s Blazing World.” Women’s Studies 37, no. 5 (2008): 441–63.

Trease, Geoffrey. Portrait of a Cavalier: William Cavendish, First Duke of Newcastle. New York: Taplinger Publishing Company, 1979.

Van Beneden, Ben, and Nora de Poorter, eds. Royalist Refugees: William and Margaret Cavendish in the Rubens House, 1648–1660. Antwerp: Rubenshuis & Rubenianum, 2006.

Wallwork, Mary-Josephine. “The Politics and Poetics of Authorship: Margaret Cavendish as a Writer of Natural Philosophy.” PhD diss., La Trobe University, 2005.

Walters, Elizabeth M. “Science, Nature and Politics: Margaret Cavendish’s Challenge to Gender and Class Hierarchy.” PhD diss., University of Edinburgh, 2005.

Warburton, Rachel Mary. “Mobility and Desire: Seventeenth-Century English Women’s Travel and Utopian Writings.” PhD diss., University of Alberta, 2002.

Webster, Erin. “Margaret Cavendish’s Socio-Political Interventions into Descartes’ Philosophy.” English Studies 92, no. 7 (2011): 711–28.

Wells, Christina M. “‘Your Garbe Makes Me I Knowe You Not’: The Cavendish Family and the Literary Transformation of Marriage Practices.” PhD diss., University of Maryland, 2004.

Wilcox, Helen, and Sheila Ottway. “Women’s Histories.” In Cambridge Companion to Writing of the English Revolution, edited by N.H. Keeble, 148–61. Cambridge: Cambridge University Press, 2001.

—. “Women’s Poetry.” In Cambridge Companion to Writing of the English Revolution, edited by N.H. Keeble, 127–47. Cambridge: Cambridge University Press, 2001.

—. “Gender and Status in Dramatic Discourse Margaret Cavendish, Duchess of Newcastle.” In Drama and Politics in the English Civil War, by Susan Wiseman, 91–114. Cambridge: Cambridge University Press, 1998.

—. Conspiracy and Virtue: Women, Writing, and Politics in Seventeenth-Century England. New York: Oxford University Press, 2006.

Worsley, Lucy, and Tom Addyman. “Riding Houses and Horses: William Cavendish’s Architecture for the Art of Horsemanship.” Architectural History 45 (2002): 194–229.

Worsley, Lucy. “Building a Family: William Cavendish, First Duke of Newcastle, and the Construction of Bolsover and Nottingham Castles.” Seventeenth Century 19, no. 2 (2004): 233–59.

Wright, Joanne H. “Not Just Dutiful Wives and Besotted Ladies: Epistemic Agency in the War Writing of Brilliana Harley and Margaret Cavendish.” Early Modern Women: An Interdisciplinary Journal 4 (2009): 1–25.

—. “Questioning Gender, War, and ‘The Old Lie’: The Military Expertise of Margaret Cavendish.” In The History of British Women’s Writing, 1610–1690, edited by Mihoko Suzuki, 254–69. Basingstoke: Palgrave Macmillan, 2011.

Wright, Nancy E., Margaret W. Ferguson, and Andrew Buck, eds. Women, Property, and the Letters of the Law in Early Modern England. Toronto: University of Toronto Press, 2004.